Monday, June 20, 2011

Dirty Work, with Pots Ablaze

The hard work of cleaning up from a woodfiring has to be one of the worst, most thankless jobs in ceramics. Nothing like handling sharp hot shelves, heavy brick, all covered in ash and fused bits of glaze. With dust masks on, gloved hands and eye protection, the work is slow going and SWEATY! Doing this in the Spring or Fall makes sense. And yet, so many potters fire their woodkilns in the heat of summer.



And the reason why: because when those pots come out, you quickly forget about having stood next to a kiln at two thousand plus degrees in 90F heat... all you think about is how cool the pots look.



As the kiln is slowly unloaded, shelves and bricks stacked, and pots sorted... it is time to clean off glaze drips and fused pots. Time to smooth out rough spots on the kiln shelves. Time to true up the ends of the kiln posts. Time to sweep up all the wads from off the bottoms of all the pots.



And lastly: To drink in the great pots. To bask in the glow of pots made miraculous by the wicked tongue of fire that coursed through the kiln for a day and a half. To see exactly where some pots got too close to the fire and distorted out of round. To see the smooth drips where the ash pooled and ran down the side. But most of all, to share with the other potters the awesomeness of firing with wood.

Saturday, June 4, 2011

Woodfired Pots: Flashing, Ash, and WOW!


There is something very special about being asked to photograph the best pots from a potter's woodfired kiln. You know, right off the bat, that these pots have been through hell. And these, of all of them, are the ones special enough to make the cut.

These woodfired pots are more of Cary Joseph's work that I photographed at the end of May. These were fired in Julie Crosby's wood kiln. Much of the kiln had great flashing with not a ton of drippy ash to muddle the clean throwing style that Cary favors.



In many instances, I am only the second person (after the potter who unloaded the kiln,) to have ever held these pots. That is a sensational experience. To be able to run my hands over the rough surface, the ash slickened drips down the side of the pot, to feel the silkiness of the glaze inside... all transform this ball of fired clay into something magical. I always feel privileged to be asked to photograph pottery, especially when my friends are such great potters!



Thursday, April 14, 2011

New Blog for Glaze Tectonics Platters

Link
If you haven't noticed, this blog is getting left by the wayside. I haven't really done much here since the coma a year and a half ago. Most of my effort is now spent on my photography career and my consulting/webdesign business. To that end, I decided to put all the Glaze Tectonics Platter images into one place, one format, easy to use.... wordpress blog. So here it is: http://coldspringsstudio.com/GlazeTectonics/



I hope folks enjoy seeing the platters as they go up. Always enjoy hearing what everyone has to say about them.

Monday, April 4, 2011

Dreaming of the Deep Blue Sea

B73098, Dreaming of the Deep Blue Sea, 1998, 18" diam., $800, available.








Sunday, April 3, 2011

Another Platter Without A Name

The platter with no name, 1998, 20" diam., $600, available







Friday, April 1, 2011

Failures Fit Well Around the Shoulder, But Tend to be Short in the Back

Failures Fit Well Around the Shoulder, But Tend to be Short in the Back,
18"diam., $600, available, 1998



No one ever had anything nice to say about this platter. While all the other massive platters outshone it, outmassed it or just plain out-did it... it was never relegated to the shard pile. I considered it the day I pulled it out of the kiln. This fleshy peach was not the planned color or texture I was expecting. It was supposed to be a crunchy reddish color floating on an icy crystalline fluid glaze. Well, that didn't happen. The pale blue soft bumpy glaze beside it is almost a saving grace, but not quite. All in all, this was a real example of failing to live up to my expectations, but I could never administer the coup de grace. I know that somewhere, someone needs this platter as part of their life.







Wednesday, March 30, 2011

Across the Citrine Ice - more experiments in glaze

Across the Citrine Ice, (82098I), 1998, 15" diam, $600, available.







Sunday, March 27, 2011

Making Gems from Scratch - more crystal glazed platters


Making Gems From Scratch (414982), 1998, 16" diam., $800, available.








Friday, March 25, 2011

No Great Name for this one (598)

Untitled (598), 1998, 19"diam., $1400, available.











Sunday, March 20, 2011

Much Too Much

23098A, Too Much is Too Much, 1998, 20" diameter
$1800, available


No, these are not craters on the moon.



No, this is not some primordial fungus.



This is not some refrigerator leftovers run amok.



This is what happens, when night after night, month after month, you try... desperately hard... to keep track of all the crazy ideas for glazes. And then suddenly you realize that you simply cannot add twelve different glazes over and under one another, without suffering the consequences.
And here they are. In all their sunburned glory. Much too much.