More Pots From Our Collection

These two woodfired pots are from Steven Godfrey, who teaches at the University of Alaska at Anchorage.
What I love is how different his current body of work is from this old woodfired stuff. His sensibilities towards the form are still very similar (probably from the KCAI influence)... but the new work speaks volumes of time, practice and stability.

Three Pots from Chris Baskin

Chris Baskin was a grad student at Alfred while I was there as a "special student". Chris had apprenticed with Byron Temple, which in my mind, enabled him to walk on water. Having used only a few of Byron's pots, the sensibilities shared are immense.

Whenever I asked Chris if I could sit and watch him pull handles, he always made it seem like "no big deal, handles are easy, no problem"... and I struggled for another five years before I began to find my own handles. Looking back now, I see so many things in Chris' pots that I borrowed or stole outright. I doubt he has any idea of what an inspiration he was to me during that seminal period at Alfred.

Chris Baskin's website has his current work available as well as his thoughts on various firing methods, etc.
Definitely worth a read! http://chrisbaskin.com

Sake Set from Shigaraki, Japan

I just figured I would share a few more images from pots in our collection that we re-discovered a few weeks ago.

This sake set was given to me as a gift (and no, they are not looking for a new home). They were made in Shigaraki, Japan. I have always wanted to go to Shigaraki. I love the roughness of the clay; the woodfire marks, the ash drips... it was what I hoped to create in my own woodfired work.

More Pottery Looking for a New Home

This carved dinner plate and tumbler are up for grabs  going to a new home. You can either pick it up here at the studio, or arrange for packing and shipping. Yay for local pickup!

This was the second cup I ever purchased. This was a "second" being sold as a first in a gallery in Northampton MA, back in 1990. Bill Campbell's pots are found almost everywhere in this country. http://www.campbellpottery.com/index.html

Up for grabs.

Other Pots Needing New Homes

Woodfired, but beyond that, I can't remember much. I am mortified that I can't recall who made this. Definitely happened in Utah. Hand sized. Makes a nice cup.

Not a terribly large jar. Great for a small batch of cookies. I think this was made by Tony Clennell but I am not sure. One of my students glazed it at the end of the year when we were emptying shelves and tossing bisqueware.

I can't recall who made this. Tall mug. Nice airbushed blue glaze over Oatmeal, cone 10, reduction.

All of these pots are up for grabs. Pay for shipping or come out to the studio to pick them up. Who ever claims them, gets them. I'll edit this post to reflect when they are gone.

Two More Pots Looking For a New Home

This gnarly jar was made by Testuya Yamada, back when he and I were "special students" at Alfred University. This is not a light jar. If you think you want it shipped, I will need a note from your doctor, proving that you have full control of your faculties. (Wood fired, cone 10, with Oribe glaze)

This was made by David Kingsbury, from Ithaca, NY. Cone 10, matte glazes. Quite large; holds more than half a gallon.

More Pots from my Collection

 I am pretty sure this was made by Kelly Sinner at USU.

 I think this one was made by Laura Patterson. Not 100% sure though.

These were made by Mark Lambert, at USU.

Thinking Back

When I arrived in the town of Logan, back in 1995, I had no idea what grad school would be like. Sure, I had my preconceived notions, but no real clue. Something about the sharp slightly dusty smell that fall carries with it, reminds me of that time in UT. (probably because it is never really that arid here!)

These were pots made by fellow students when I was at Utah State during grad school. I wish I could tell yo more about these pots. USU's program was pretty large and the volume of students who moved through every year was massive. I feel negligent for having not kept in touch with many of my fellow alumns. I guess that is my take-away from this week. Quasi-nostalgia for a difficult time in my life, when the pots were the greatest reward. I don't think I would recognize the face of my next-door neighbor of four years (from UT) if I saw them on the street... but I would never forget these cool pots!

Joy Tanner's Wonderful Tumbler

One of the greatest things about reading blogs is getting to know people from different regions doing different styles of work. I met Joy Tanner through her blog about 4 years ago. I was immediately taken with her deft touch with her carving and her ability to mesh her design sensibilities with her love for atmospheric firings (wood, soda, and salt).

I think one of the things I love so much about this tumbler is the way the flashing from the firing combines
with the layers of sodium vapor glazing, to create layers of texture and color. The subtle greys and rich reds and browns really capture something that a flat, even coat of glaze could never easily accomplish. In the hand, those textures reveal perfect places to put your hands and lips. In short, it makes the use of the tumbler a very engaging experience!

This tumbler made itself at home in our kitchen immediately, though I have to admit, it is almost never in our cupboard. It winds up being constantly in use, so I mostly get to see it as it heads in and out of the dishwasher. My only regret was not buying at least three of them!

Check out Joy Tanner's blog and catch some of her pottery via her online Etsy shop!

Living With Pots

This soup mug was made by Ashley Kim. Not sure if you can make out the detail, but there is a line of red stitching around the waistline of this soup mug. Amazing feel in the hand. The recurved handle fits so incredibly well.  Ashley is having her holiday studio sale right now, so grab some pots before they are gone!

This next mug was made by Lynne Hobaica. My friend Sabra bought it for Aurora when she and I visited the Genessee Pottery in Rochester back at the end of Summer. Fantastic show! Just wish we had been there opening night so we could get more pots!

This last pot is one of my earliest bowls. Probably hadn't made two dozen bowls at this time. I thought of this as a BIG bowl when I made it. I had my daily lunch of ramen noodles in this through my second year of college. It travelled with me across the country so many times. It made the trip to WA state, to Florida, back to MA. Eventually out to UT for a long time. Finally it made it's home back here. The strangest thing about this bowl is its boring color. Honey Clear was a glaze I picked up from Vince Pitelka when I was at UMASS/amherst. It is a very VERY matte magnesium based glaze, but by adding 15% manganese dioxide to the glaze, it becomes a wonderful satin matte, with a gorgeous honey color. It feels almost like silk. Unfortunately the anemic color really killed sales. Nancy says it is quite possibly her least favorite glaze she has ever seen me use.

The other novel thing about this bowl is that is has red slate powder wedged into the claybody. A friend dug some up from the running track at Smith College... in hopes of making an oil spot glaze based on recipes from Nigel Wood. His glazes never worked out, but I used some of his red slate powder in my claybody. Shredded my fingers while trying to throw the stuff. Imagine glass in your claybody... slate is sharper! ouch.